1/24/2024 0 Comments Geany costumeThis is due to an issue in the Adwaita icon On some systems icons in Geany might be very big and so making the whole UI require a lot of space. Updated translations: cz, da, de, fr, es, kk, lv, it, nl, pt, si, sk, ru, ua.New filetypes: AutoIt (Skif-off), GDScript (David Yang).Many updated filetypes: Kotlin, Markdown (Robert Di Pardo), Nim (Zoom), PHP, Python. Sync many parsers from the Universal Ctags project, this leads to updated symbol parsers.Use "Prof-Gnome" GTK theme by default on Windows for a better experience, the "Adwaita" theme can still be activated.Update Scintilla to 5.3.7 and Lexilla to 5.2.7.Simplify project creation from existing directories with sources.Split "session data" into nf, preferences are written to and read from nf.Geany aims to be a fast and easy to use code and text editor (some may call it even IDE).įor a comprehensive list of changes please see. While this first version had less features than the new version, the spirit and project goals were the same and kept over time. It's the 18th birthday of Geany! On OctoGeany 0.1 was released. New York: Charles Scribner's Sons, 1965.We are happy to announce a new release of Geany!īefore going to the release highlights, let's first celebrate this day! From these humble beginnings, the pompoms grew in size to those of today’s traditional hat.īradshaw, Angela. Turner Wilcox, in the book Folk and Festival Costume of the World, published in 1965, describes the hat as having "six huge pompoms" while a second book from 1952 shows a drawing of a woman with a circle of small pompoms around the crown of her hat. The area became a popular destination through the reproduction of his paintings and collaboration with writer Berthold Auerbach (1812-1882). Hasemann helped establish an artists' colony in Gutach, living there until his death. First the ornamentation included painted circles, then small wool pompoms secured to the top.Īrtists such as Wilhelm Hasemann (1850-1913) romanticized the rural life they found in the Black Forest in the late 1800s through drawings and paintings. As the manufacturing of straw hats increased, the Protestant women of the Kinzig Valley in which the villages are located began to decorate their hats. One story credits Frederich Eugen, Duke of Württenberg (1732-1797) with encouraging the production of straw hats in his duchy as a means of improving the economics of the region. Clothing was a way to identify and understand where a person “belonged” - geographically, economically, in faith, and even in the marriage market. The region shifted between Catholicism and Protestantism with the fortunes of the ruling person in the 18 th and early 19 th centuries these were the Dukes of Württenberg and the political upheavals caused by the Napoleonic Wars. The Black Forest is located in the state of Baden-Württenberg, an area that between 14 belonged to the Catholic Holy Roman Empire, but was heavily influenced by the Protestant Reformation and the Lutheran faith. The headdress in its modern form of fourteen large wool pompoms on a straw base appears to have originated at the end of the 18 th century, with fewer and smaller decorations on the top of a straw hat. Customarily, women made the hat, beginning with weaving the straw base and making the pompoms, and finally joining all of the parts together. Fourteen wool pompoms are attached to the top, the bottom three covered by the others to form the shape of a cross when seen from above. The base of the hat is straw, strengthened by a mixture of calcium and gypsum. Older women and widows could put off the bollenhut and resume wearing just the black silk cap of their youth. A black silk cap would be worn under the hat and was donned by girls prior to their confirmation, at which time they received their bollenhut to include as part of their traditional dress, or tracht. Married women dressed in a bollenhut with black wool pompoms instead of red. Originally the headdress was worn by single women in the villages of Gutach, Kirnbach, and Hornberg-Reichenbach, identifying the Protestant religion of the wearer as well as the area in which she lived. Local dress held symbolic importance in the German states before the twentieth century, when the region was organized with city-states, dukedoms, and principalities. Today, tourism is an important source of revenue to the area, and the Bollenhut, first worn by women from one of three villages, has become a symbol of traditional dress for the entire Black Forest region. Historically, the area produced iron ore and timber products for export. This large, forested mountain range, bounded by the Rhine River to the west and south, contains many small, relatively inaccessible valleys to which industrialization was slowly introduced. This headdress identifies the wearer as an unmarried woman from the Black Forest area of southwest Germany.
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